![]() ![]() Hamlet is much more scared of the ghost in the two 90's ones, but leaning towards more respectful than scared in the 1948 version, being on a knee and bowing with his sword. In the 1996 Hamlet, the ghost is much more malicious and angry than the other two versions, probably somewhat influenced by the dramatic jump cuts. What I thought was most interesting between all three plays was the dynamic of Hamlet and the ghost and their respective emotional states. This is a public website, and identifying yourself by your whole name is a big no-no with AISD. DO NOT INCLUDE YOUR LAST NAME when identifying yourself.Have reasons for the things you say that are based in what you saw and heard in the films.Write at least three sentences of substance.Feel free to write your own comment or to reply to one of your classmates. Feel free to compare and contrast, or to look at one scene alone. ![]() So.what do you think? What did you notice that was interesting or irritating, or that pushed you towards one interpretation or another? Feel free to talk about the text, the way the text was cut, delivery of lines, visuals, acting choices, costuming, setting, special effects, or.really, anything you could think of that would act as an explanation for what you think. This one is set in a 19th century European palace. Kenneth Branaugh, 1996, the FULL TEXT of Hamlet.Franco Zeffirelli (Mel Gibson as Hamlet), 1990, GREATLY cut, with some scenes rearranged.("This is the tragedy of a man who could not make up his mind.") Laurence Olivier, 1948, cut, with some additional lines added.(That's the ghost scene, again.) They were: We just watched three versions of Act I, scene 5 in Hamlet. ![]()
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